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A Secret Public - b​-​sides & rarities 2001​-​2006

by luxembourg

/
1.
keep your secrets well secreted if you don’t they get repeated soon more people know than do not know keep your treasures undercover if you don’t they get discovered don’t say that i didn’t try to warn you i can’t make you forget what you’ve seen can’t make you forget what you’ve seen now there’s a man WC1 he can see what can be done to save your sorry ass and turn you round just give him some of what you make give him a share of what you take an alchemist, he’ll turn your shit to gold i can’t make you forget what you’ve seen can’t make you forget what you’ve seen i can’t make you forget what you’ve seen can’t make you think it was a dream
2.
do you remember us on that minibus with me staring at your feet? and even judging by your footwear i knew we had to meet so it’s a crying shame that in the mating game i have the prowess of a fool when we got to the farm i should have turned on the charm but instead i played it cool are you with or without her? you’d be so much happier with me if you’re available i’m unrestrainable can’t you see? i want your close-cropped hair i want your pale blue eyes and i want your soft hands and your handsome thighs i want your gormless grin your regional accent and i want your cracked lips and i want your snake hips and i want it right now and i might even and i might even tell you now my days are filled with ways in which our paths might cross i’ve never been down to your part of town as much as i have this week are you with or without me? you’d be so much happier without are you available? you see, i’m uncontainable can’t you see? i want your peachy skin and i want it now i want your well-groomed nails and your tended brow i’d let your supple arms drape across my frame i want the things you’ve got i think you feel the same i’d let your three-day stubble tear across my cheek i want to hold your hand until some time next week i want your winning ways and your ample chest i want the bits on display and i want the rest
3.
Pin Me Down 03:28
so we meet up in a public space you’re very easy to spot, you look so desperate we spend too much money on unsuitable things swapping our life stories and trying to look pleased with our lot, have you got quite what i need? it all goes so well, we applaud the same things so pin me down if you really must and there’s really nobody else at hand pin me down if you really must although it’s inadvisable i’ve made the switch from ultra strong to fetherlite it wasn’t that hard, but now it doesn’t feel right the days between your phone calls telescope into hours please don’t be surprised when i start to back off cut short my replies and then start screening my calls i’m sorry i’m not won in the usual way i only want what’s unlikely, dear i like the theory more than the practical you’d only be disappointed i’d only be disappointed
4.
you caught me in the reading room again i promise you that i’ve nearly reached the end what exactly is that thing you’re reading? baby, if you really want to know… it’s only a dark cautionary tale it’s only the story of love that fails it’s only you it’s only me it’s only our lives only written down you speak as I turn the nightlight out asking what the story’s all about you say, do they live happily, and ever after? or is it a tragedy, some kind of biography? you ask so I think you ought to know the brittle page cracks and crumbles to dust the words fall in piles around us the cover is torn, it falls apart it’s only A Map of England and Wales it’s only A Boys’ Guide to Sharks and Whales it isn’t Keats, it isn’t Yeates it’s only Fifteen Ways to Leave Your Love so if you’re stuck for something to do you could do much worse than read a book or two if you’ve a tough decision to make you could do much worse than read a book of verse but baby please DON’T BELIEVE EVERYTHING YOU READ
5.
i've been driving through winters cold and summers fair with a little forethought you can drive for miles and never get anywhere i've been to leigh-on-sea i've been to eccleshall and if you've seen just one honey you've seen them all keep driving and let anything happen cos somewhere there's a place where all the lovers go somewhere there's a place where all the good times go and we might find it keep driving, oh but don't look behind you cos somewhere there's a place where all the lovers go somewhere there's a place where all the good times go and we might find it i've been driving from birmingham to coventry or should that be derby? it all starts to look the same to me it never looks that bad it never looks that good and if you haven't been i think that maybe you should you'd stay there for the rest of your life cos somewhere there's a place where all the lovers go somewhere there's a place where all the good times go and we might find it keep driving, oh but don't look behind you cos somewhere there's a place where all the lovers go somewhere there's a place where all the good times go and we might find it i checked my tires, checked my screenwash but it didn't stop me breaking down it doesn't matter cos i don't need a car to drive keep driving and let anything happen cos somewhere there's a place where all the lovers go somewhere there's a place where all the good times go and we might find it keep driving, oh but don't look behind you cos somewhere there's a place where all the lovers go somewhere there's a place where all the good times go and we might find it cos the world looks much better when you're passing through and you don't need a thing if you've a changing view we could drive to the place where the lovers go we could dance to the sound of the dash radio
6.
In My Bed 06:19
when you're overwrought when you're overtired when you need a plain word of hope just this once in a while please don't forget that part i might just drop my guard tonight you're forgiven tomorrow i might just despise you but that's all to come come crawling into my bed your hands and knees work just fine there's room for one more in my bed these old sheets have seen it all these four posts would tell their stories if they could but i'm kind of glad they don't if you're open to ideas if you're tired, if it's been years since you've been had well i guess i could do you a favour oh but don't say i'm easy i sleep in the same bed each night i just let them come to me come crawling into my bed your hands and knees work just fine there's room for twelve more in my bed if you've had more than enough of your own company i know that i have i know that i have so get into my bed oh no, no, no, no, no, no, no my bed oh no, no, no, no, no, no, no cos baby, these old sheets have seen it all these four posts would tell their stories if they could but i'm kind of glad they don't if you're open to ideas if you're tired, if it's been years since you've been had well i guess i could do you a favour when you're overwrought when you're overtired when you need a plain word of hope when you're overwrought when you're overtired when you need a plain word of hope when you're overwrought when you're overtired when you need a plain word of hope when you need a plain word of hope when you need a plain old word of hope You sure you want to be with me I've nothing to give?
7.
how do you cope when you’re not around me? it must be a strain getting through those hours do you stay indoors kneeling on all fours? do you sweep your stairs in your underwear? well there’s one thing that i’m sure of: you’re not using your phone at all your tears of joy were not quite the reaction that i had in mind when i told you i’d be away a while did you flirt all day in an innocent way? change your library books and get dirty looks? well there’s one thing that i’m sure of: you’re not using your phone at all or perhaps you’re never off the damn thing but it’s not my number that you call it’s not my number that you call yes, perhaps you’re running up a huge bill but it’s not my number that you call it’s not my number that you call it’s not my number that you call i know that your shift pattern’s antisocial it’s not as antisocial as the fact that you never call do you have your fun when your work is done? do you hang around - buy another round? do you stay indoors kneeling on all fours? do you sweep your stairs with a certain flair? it’s not my number that you call it’s not as if i really mind at all
8.
Fingers 05:17
don’t get that ring engraved for me, dear not me, dear and leave your armchairs where they are they’re fine don’t blurt it all out to your mum and dad that would be sad restrain your fingers from honesty on the keypad and you’ll be glad for i can’t help seeing the end in every beginning i can’t help seeing the end in every beginning but don’t hold me it means you disappear from me you try to hold us but in your grip there’s just you and me separately it’s like nothing ever really ends it all just accumulates don’t book that holiday to sicily for you and me or be prepared to go alone or take a friend i’m climbing your stairs going up to your room and i will pay you but ask for nothing i’m climbing your stairs coming up to your room and i will pay you but i’ll take nothing more i can’t help it and you can’t help me
9.
on the coastal path and later on the beach something kind is said and then the subject must be changed as two eyes become heavy for no apparent reason something right’s been done the subject must be changed come the feast, cry over the hardship now the famine has passed, the famine can be mourned come the feast, cry over the hardship now the family has passed, the family can be mourned the station isn’t wretched the platform isn’t cruel the carriage not malevolent the passers by benign the fields are far from doleful the sunshine isn’t harsh the table isn’t hateful but the journey is brutal if it doesn’t take you, it leaves its mark
10.
from the doss house in the city to the swank suburban pad they all say the same thing when your name gets an airing: “son, you really could do so much worse” and from the campus to the churchyard from the oil rig to the street they’re very quick with advice and that’s all very nice but i have to admit it’s becoming persuasive so you can have it if you want it and you can have it right now if you just say the word there’s a chance you’ll be heard because i’m always listening now GOODBYE INHIBITION! we’re throwing all caution to the wind call off the search team and hold the front page because i’m letting you in and you’re letting me in from the highlands to the cotswolds from the east end to the wash they’re all very consistent yes, in spite of the distance: “son, you really could do so much worse” and from the schmoozer to the boozer from the actor to the thief they’re inclined to concur and i’m inclined to defer to their greater experience in these matters so you can have me if you want me and you can have me right now if you just say the word there’s a good chance you’ll be heard cos i’m always listening now
11.
the man across the hallway is keeping me awake he’s banging nails into picture rails and it never fails to stop me from sleeping i don’t know what i’ve done to deserve this i really don’t know what i’ve done to deserve this i knock three times to stop him - he just knocks back i bang on the wall to tell him - he just bangs on the man i met at the weekend is making me lose sleep ignoring my e-mails but sleeping with females well, spare me the details they stop me from sleeping i don’t know what i’ve done to deserve this i really don’t know what i’ve done to deserve this the bedroom burns as i toss and turn - but don’t sleep the daylight streams through the curtains - i can’t sleep you’re not the only one keeping me awake tonight so many reasons for losing sleep but don’t forget that only one of them is you the never-ending nailing is making me lose sleep and even if it were to stop well, the banging would just keep on regardless i know exactly what i’ve done to deserve this i know exactly what i’ve done to deserve this i clear my mind and the noise just disappears i clear my mind and the noise all disappears i’m not the only one keeping myself awake tonight so many reasons for losing sleep but don’t forget that only one of them is you
12.
when we met you made a niche inside my body beneath my ribcage and above my spleen the niche was small at first but you filled it completely and with time you and the niche both grew and grew and grew into a complex universe of spores and nodules weaving between kidney, heart and lung but always friendly so benign and ever-welcome but then you shrank and you left left your negative inside and the search it goes on and the search it goes on but hope, it fades with the passing days and the search it goes on and the search it goes on and on... but hope is fading fading with the passing days soon you became an extra vital internal organ and then you shrank and left a howling void behind you there are endless doorless corridors inside my upper torso unique impression cast within me now search continues, hope fades...
13.
About Time 03:52
there are times that we remember well we were young and almost happy we didn’t long for any more than what we had the sunburn on our backs and running through the long grass never knowing destination there are times that we’d be glad to drop from memory the times we’d love to eradicate in fifty thousand different ways the days when we were lost the days when we were lonely never knowing why exactly waiting again all day waiting again all day waiting again all day i’ll be waiting still tomorrow as the months go by i find myself much more inclined to simply waiting in spite of early indications being bad we’re not put off by that we’re made of stronger stuff now and we’ve learned to keep on waiting if you think that things are good right now i’m here to say that things were better some years ago and things will be much better still at some point yet to come we’re not sure when exactly but we recommend just waiting turn the clocks back take a train to the sea breathe the air and wash your face in the brine the days get longer when your back’s turned and you can’t imagine winter now i’m clumsy and my timing is bad the clocks go forward and there’s no one to blame the days get shorter when your back’s turned you always keep on waiting

about

A collection of b-sides and rarities released by the band between 2001 and 2006, collected for the first time.

credits

released October 7, 2016

David Shah - Vocals
Alex Potterill - Keyboards/Piano/Programming/Vocals
Rob Britton - Guitars/Keyboards/Vocals
Jon Bacon - Bass
Steve Brummell - Drums/Percussion

Written by Luxembourg

Tracks 1, 2, 3, 7 & 8 Produced by Brian O'Shaughnessy & luxembourg at Bark

Track 9 Produced by Rob & Al at N19 with additional production by Brian O'Shaughnessy & luxembourg at Bark

Tracks 10 & 13 Engineered and mixed by Darren Allison at Miloco and Triangle N12

Tracks 5 & 6 produced by Luxembourg at Biscuit

Tracks 11 & 12 produced by Luxembourg, engineered by Alex Piot at River

Track 4 produced by Ruoy at SAE

Track 14 produced by Luxembourg at BBC Maida Vale

Tracks 4 & 13 feature extra production by Rob Britton at N19

Violins - Audrey Morse
Cellos - Gill Walshaw
String arrangement - Audrey Morse
Saxophone - Phil Whaite
Mastered by Nick Robbins at Sound Mastering and David Shah at home

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luxembourg London, UK

Luxembourg are a British five-piece indie band, formed in London in 2001. Most often compared to artists like Pulp, The Smiths, Suede and Roxy Music, they have been described as "pop noir".

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